Learning To Design The Cherokee Syllabary
Many issues and questions arise when designing non-Latin forms that lie outside a designer’s experience. How do the history, function and particulars of the Cherokee syllabary affect a type designer’s understanding of typographic communication? Do any of the characteristics of the contemporary, multi-font family actually apply to a syllabary with such a unique history and purpose? This will be a personal account of the lessons learned from a challenging project that's leading to new typographic forms for this particular language.