Typeface design education from Cooper Union

Under construction: Jurriaan Schrofer’s letters
with Maurice Meilleur

Jurriaan Schrofer (1926–1990) was one of the most prominent design practitioners, educators, and public advocates in the Netherlands after the Second World War. Schrofer’s career was most remarkable early on for his photography book designs, but beginning in the 1960s, his lettering projects occupied an increasing part of his attention, study, and practice. Maurice Meilleur will survey a selection of Schrofer’s remarkable work, and use his own diagrams and animations alongside Schrofer’s sketches and drawings to discuss a few examples of these lettering projects in greater detail. He’ll then place Schrofer’s projects in their larger context of constructed scripts, using the principles behind their design to suggest what we can learn from them about method, creativity, and meaning in design generally, and type and typography in particular.

Registration is now closed

When:
Mon, February 10, 2020, 2024

Where:
The Rose Auditorium at Cooper Union
41 Cooper Square (at East 7th Street)
New York, NY 10003


The Herb Lubalin Lectures are recorded and made available here and on Vimeo with the generous support of Hoefler&Co.


About Maurice Meilleur

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Maurice Meilleur is a recovering political theorist turned graphic designer and design researcher and writer. He completed a PhD in political theory from Indiana University Bloomington in 2004, and earned his MFA in graphic design from the University of Illinois at Urbana-Champaign in 2015. He’s an assistant professor of graphic design at Iowa State University in Ames, Iowa, where he teaches and studies typography and generative design. He has contributed numerous type and book reviews to Typographica and Fonts in Use. He’s writing a book on Jurriaan Schrofer’s constructed scripts, and he’s presented his research at Robothon, ATypI, TypeCon, the Cooper Union, and the Letterform Archive. Maurice explores digital drawing and animation using Python and Drawbot as part of a larger investigation into typographic representation and algorithmically-defined formal systems.