Lettering is a unique discipline, offering a distinctive means of visual expression not possible with writing or conventional typography. Among the drawn letter’s characteristic advantages is its potential not simply to communicate content, but to become content itself. This workshop will investigate recent historical approaches to lettering, in addition to exploring various production techniques. Participants will refer to familiar typographic models and helpful specimens as they create their own hand-drawn wordmarks. Comprehensive slide presentations and drawing demonstrations will provide further guidance as students acquire a practical foundation for implementing one-of-a-kind lettering in various design contexts.
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The following materials are required for the workshop:
- No.2 pencils (conventional or mechanical)
- pencil sharpener, if applicable
- pad of tracing paper, at least 8.5″ x 11″
- Sharpie® Fine and Extra Fine marker
- adhesive tape for posting sketches
About Ken Barber
Ken Barber is a letterer, type designer and type director at design studio and type foundry House Industries. He is also a partner of Photo-Lettering, Inc., the online lettering-vending service nominated by the Design Museum London as a 2011 Design of the Year recipient. Ken's work is in the permanent collection of the Smithsonian Institution’s Cooper-Hewitt, National Design Museum and has been honored by the New York Type Directors Club. Association Typographique Internationale recently selected several of his typefaces for inclusion in the organization’s decennial design competition. In addition to teaching at Maryland Institute College of Art, Ken regularly lectures internationally on the subjects of lettering and typography. He also manages typeandlettering.com, an online resource for students and attendees of his frequent workshops.